Lepape, Georges
1887 – 1971
French
Lepape’s formal education began at the ateliers of Humbert and Cormon and continued at the École Nationale des Beaux Arts in Paris. He gained attention as a young man with his work as a posterist and advertising artist and by 1906 was already experimenting with monotypes and etchings.
However it was his meeting with the fashion designer extraordinaire, Paul Poiret that really made Lepape’s name famous. In 1911 he collaborated with Poiret to create the deluxe fashion album “Les Choses de Paul Poiret”, where Lepape caused a sensation in both the fashion and artistic worlds with his use of Art Deco simplicity and geometry well before the style was established.
Lepape went on to become a major figure in Art Deco illustration and decoration. He expanded from fashion into the theatre and ballet where he designed everything from sets and costumes to programs and advertising graphics. His illustrations for Diaghilev’s Ballets Russes inspired a new, more exotic, look for women, typically wearing a turban and with large but evasive eyes. His poster of the actress Spinelly in 1914 caused more excitement and imitation, as it was the first time a face was illustrated in close-up.
Lepape’s reputation allowed him many opportunities to work in collaboration with some of the great writers of the time including Henri de Regnier, Pétrone, Colette, Cocteau, and Pierre Louys. His etchings and pochoirs were also published in the leading Parisian periodicals such as “Gazette du Bon Ton” and “Journal des Dames et des Modes”. He was even invited to participate in the decoration of the great ocean liner “Normandie”.
From the 1920s to 1950s Lepape was a regular contributor to “Harper’s Bazaar”, “Femina”, “House and Garden”, “L’Illustration”, “Lu” and “Vu”, and created countless covers for “Vogue”. Although Lepape is considered a classic Art Deco artist, his style is distinctly his own. His elongated female forms and simple but elegant designs transcend the period and remain beautiful examples of the illustrators’ art.
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Lepape, Georges
(1887 - 1971) French$750.
“Le Chapeau”, 1911
Pochoir
Published in “Les Choses de Paul Poiret”
Edition of 300
9 ½" x 10 ⅝"
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Lepape, Georges
(1887 - 1971) French$1,750.
“Le Miroir Rouge”, 1919
Pochoir
Issued in "Feuillets d'art", Nº 1, Mai 1919
9 11/16" x 6 15/16"
Printed signature in image -
Lepape, Georges
(1887 - 1971) French$2,250.
“La Biche Blanche”, 1916
Pochoir and heavy gouache
Set design for “Revue”
Edition of 25
8 ¾" x 7"
Printed signature and date in image
Signed and numbered in pencil in margin -
Lepape, Georges
(1887 - 1971) French$2,000.
“La Plume”, 1913/14
Pochoir
Edition of 30
6" x 5"
Signed, numbered and initialed in pencil in margin -
Lepape, Georges
(1887 - 1971) French$250.
“La Victoire”, 1919
Pochoir
Published in "Modes et Manières d'Aujourd'hui" Volume III, Plate XII
8" x 5 ¼"
Printed title and signature in margin -
Lepape, Georges
(1887 - 1971) French$550.
“Illustration for "La Revue des G"”, 1911
Lithograph
Edition of 15
“La Revue des G” was a theatrical evening organized by Georges Lepape with a cast drawn from family and friends whose first names began with the letter “G”
5 ⅛" x 5 ⅛"
Signed in stone -
Lepape, Georges
(1887 - 1971) French$750.
“The Birdcage”, 1912
Pochoir
Published in "Les Choses de Paul Poiret"
11 ½" x 6"
Signed in plate -
Lepape, Georges
(1887 - 1971) French$375.
“Garçonne à la rose”, 1926
Pochoir
Carte de vœux for 1927
4 ¾" x 3 ⅛"
Printed signature in margin -
Lepape, Georges
(1887 - 1971) FrenchSOLD
“Le Nouveau Parfum de Rosine - Mam’zelle Victoire”, 1916
Pochoir and lithograph
8" x 6"
Signed and dated in plate