Recent Acquisitions
Showing all 25 results
Abel-Truchet, Louis
(1857 - 1918)
French
“Tattersall Français”, 1896
Color lithograph
8" x 6"
Signed in stone
“Tattersall Français”, 1896
Color lithograph
8" x 6"
Signed in stone
![Collection Image: Nous Saurons: Nous en Priver [We Will Know How to Sacrifice]](https://www.georginakelman.com/wp-content/uploads/2020/08/Anon-Nous-Saurons-300x476.jpg)
ARTIST UNKNOWN
“Nous Saurons: Nous en Priver [We Can Make an Effort Too]”, 1918
Color lithograph
From the series of posters commissioned by the French Ministry of Education to promote saving during World War I. The artists were school children between the ages of 11-16 years.
19 7/16” x 12 1/4”
Signed in stone
Color lithograph
From the series of posters commissioned by the French Ministry of Education to promote saving during World War I. The artists were school children between the ages of 11-16 years.
19 7/16” x 12 1/4”
Signed in stone
Bottini, George
(1874 - 1907)
French
“Femme au bar”, 1904
Watercolor, gouache and pencil
Preliminary pencil sketch on verso
13 ¼" x 9 ¼"
Framed
Signed and dated in ink in image
“Femme au bar”, 1904
Watercolor, gouache and pencil
Preliminary pencil sketch on verso
13 ¼" x 9 ¼"
Framed
Signed and dated in ink in image
Coussens, Armand
(1881 - 1935)
French
“Le Bibliophile”, c. 1920
Color soft ground etching
4 ⅜" x 5 ⅛"
Signed in pencil in margin
“Le Bibliophile”, c. 1920
Color soft ground etching
4 ⅜" x 5 ⅛"
Signed in pencil in margin
Delâtre, Eugène
(1864 - 1938)
French
“Les Pommiers”, 1902
Etching and aquatint printed in colors
Edition of 100
13 ⅛" x 24"
Signed and dated in plate
Red stamped in plate (Lugt 742)
Blind stamped "Ed Sagot Editeur Paris" in margin
Signed and annotated "Nº 81" in pencil in margin
“Les Pommiers”, 1902
Etching and aquatint printed in colors
Edition of 100
13 ⅛" x 24"
Signed and dated in plate
Red stamped in plate (Lugt 742)
Blind stamped "Ed Sagot Editeur Paris" in margin
Signed and annotated "Nº 81" in pencil in margin
Donker, Charles
(1940 - )
Dutch
“Sint-Jacobsschelp [Scallop Shell]”, c. 1971
Etching
3 ⅞" x 2 ⅝"
Signed in pencil in margin
“Sint-Jacobsschelp [Scallop Shell]”, c. 1971
Etching
3 ⅞" x 2 ⅝"
Signed in pencil in margin
Forain, Jean-Louis
(1852 - 1931)
French
“Similitudes”, 1880
Etching and drypoint
Published as frontispiece in J.K. Huysman's "Croquis Parisiens"
Edition of 545
5 ⅞" x 3 ¾"
Signed in plate
“Similitudes”, 1880
Etching and drypoint
Published as frontispiece in J.K. Huysman's "Croquis Parisiens"
Edition of 545
5 ⅞" x 3 ¾"
Signed in plate
Goeneutte, Norbert
(1854 - 1894)
French
“L'Armoire”, 1891-94
Etching and drypoint
The subject is Suzanne Froliger, Dr. Gachet's governess
10 ¾" x 4 ¼"
Red stamp in margin (L. 1182)
“L'Armoire”, 1891-94
Etching and drypoint
The subject is Suzanne Froliger, Dr. Gachet's governess
10 ¾" x 4 ¼"
Red stamp in margin (L. 1182)
Isaac, Prosper-Alphonse
(1858 - 1924)
French
“Vieux coq”, 1908-12
Woodblock printed in colors
9 ⅜" x 13 ¾"
Pale humidity stain on left
Signed in image with cramponné in black ink and monogram in red ink (L. 4990)
“Vieux coq”, 1908-12
Woodblock printed in colors
9 ⅜" x 13 ¾"
Pale humidity stain on left
Signed in image with cramponné in black ink and monogram in red ink (L. 4990)
Koehler, Mela
(1885 - 1960)
Austrian
“Wiener Werkstätte Postkarte Nº 520”, 1911
Color lithograph printed on card
From a series of 6 postcards of styles presented at the first Winer Werkstätte fashion show in April 1911
5 ½" x3 ½"
Signed in stone
“Wiener Werkstätte Postkarte Nº 520”, 1911
Color lithograph printed on card
From a series of 6 postcards of styles presented at the first Winer Werkstätte fashion show in April 1911
5 ½" x3 ½"
Signed in stone
Koehler, Mela
(1885 - 1960)
Austrian
“The Four Seasons”, 1917
Color lithographs
4 Postcards on 1 sheet
4 ½" x 3 ¼" each
Each card is signed in stone "Mela Koehler Wien 1917"
“The Four Seasons”, 1917
Color lithographs
4 Postcards on 1 sheet
4 ½" x 3 ¼" each
Each card is signed in stone "Mela Koehler Wien 1917"
Kurzweil, Maximilian
(1867 - 1916)
Austrian
“Der Polster [The Cushion]”, 1903
Color woodcut printed on Japanese laid paper and mounted on original brown Japan card
Published in the annual print portfolio "Jahresmappe der Gesellschaft für Vervielfältigende Kunst in Wien [Society for Reproduction Art in Vienna]"
The subject is the artist's wife, Martha
11 ¼" x 10 ¼"
“Der Polster [The Cushion]”, 1903
Color woodcut printed on Japanese laid paper and mounted on original brown Japan card
Published in the annual print portfolio "Jahresmappe der Gesellschaft für Vervielfältigende Kunst in Wien [Society for Reproduction Art in Vienna]"
The subject is the artist's wife, Martha
11 ¼" x 10 ¼"
Lepape, Georges
(1887 - 1971)
French
“La Plume”, 1913/14
Pochoir
Edition of 30
6" x 5"
Signed, numbered and initialed in pencil in margin
“La Plume”, 1913/14
Pochoir
Edition of 30
6" x 5"
Signed, numbered and initialed in pencil in margin
Lepape, Georges
(1887 - 1971)
French
“Garçonne à la rose”, 1926
Pochoir
Carte de vœux for 1927
4 ¾" x 3 ⅛"
Printed signature in margin
“Garçonne à la rose”, 1926
Pochoir
Carte de vœux for 1927
4 ¾" x 3 ⅛"
Printed signature in margin
Nückel, Otto
(1888 - 1955)
German
“Der Tod als Kuppler [Death as a Suitor]”, c. 1920
Color woodcut printed on card
Proof copy
9 ½" x 7"
“Der Tod als Kuppler [Death as a Suitor]”, c. 1920
Color woodcut printed on card
Proof copy
9 ½" x 7"
Ranft, Richard
(1862 - 1931)
French
“Maison Close”, c. 1900
Etching printed in colors
Numbered in pencil in margin. Edition of 50?
5 ¾" x 8 ½"
Signed in plate
“Maison Close”, c. 1900
Etching printed in colors
Numbered in pencil in margin. Edition of 50?
5 ¾" x 8 ½"
Signed in plate
Robbe, Emmanuel (Manuel)
(1872 - 1936)
French
“Femme à l'estampe" or "La Belle épreuve”, 1906
Color etching and aquatint
Edition of 100
21" x 14 ¾"
Signed in pencil in margin
“Femme à l'estampe" or "La Belle épreuve”, 1906
Color etching and aquatint
Edition of 100
21" x 14 ¾"
Signed in pencil in margin
Roussel, Ker-Xavier
(1867 - 1944)
French
“Femmes dans la campagne (Salomon 19; Johnson 134-6)”, 1898
Color lithograph printed on chine volant
Edition of 100
9 ¼" x 12 ¾"
Signed in pencil in margin
“Femmes dans la campagne (Salomon 19; Johnson 134-6)”, 1898
Color lithograph printed on chine volant
Edition of 100
9 ¼" x 12 ¾"
Signed in pencil in margin
Somm, Henri
(1844 - 1907)
French
“Dromière humatome [Raft of Humanity]”, 1897
Drypoint printed in black on Japan paper
2 ⅞" x 4 ½"
Signed in plate
“Dromière humatome [Raft of Humanity]”, 1897
Drypoint printed in black on Japan paper
2 ⅞" x 4 ½"
Signed in plate
Verneuil, Maurice P.
(1869 - 1942)
French
“Glycine”, 1895
Pochoir and lithograph
Plate from Eugène Grasset’s “La Plante et ses applications ornementales"
14 ¼" x 9 ½"
Signed in plate
“Glycine”, 1895
Pochoir and lithograph
Plate from Eugène Grasset’s “La Plante et ses applications ornementales"
14 ¼" x 9 ½"
Signed in plate
Whistler, James Abbott McNeill
(1834 - 1903)
American
“The Long Gallery, Louvre (L.83; W.52; Chicago 86)”, 1894
Transfer lithograph
Edition of 3000 published in "The Studio 3", Nº 18, 15 September, 1894
9 ½" x 6"
Blind stamped "The Studio"
Monogrammed with butterfly in stone
“The Long Gallery, Louvre (L.83; W.52; Chicago 86)”, 1894
Transfer lithograph
Edition of 3000 published in "The Studio 3", Nº 18, 15 September, 1894
9 ½" x 6"
Blind stamped "The Studio"
Monogrammed with butterfly in stone
Béjot, Eugène
(1867 - 1931)
French
“Square du Champ de Mars”, 1893
Etching and aquatint printed in sepia
11" x 7 ¾"
Signed "Eug. Béjot" and annotated "Paris 93" in plate
Signed and dated in pencil in margin
“Square du Champ de Mars”, 1893
Etching and aquatint printed in sepia
11" x 7 ¾"
Signed "Eug. Béjot" and annotated "Paris 93" in plate
Signed and dated in pencil in margin
Bracquemond, Félix
(1833 - 1914)
French
“Libre et Fidèle”, 1878
Etching
8 ½" x 5 ½"
Initialed "B" and dedicated "A mon ami Alf. Porcabeuf" in plate
“Libre et Fidèle”, 1878
Etching
8 ½" x 5 ½"
Initialed "B" and dedicated "A mon ami Alf. Porcabeuf" in plate
Helleu, Paul César
(1859 - 1927)
French
“Madame Helleu devant les Watteau du Louvre" or "Les Trois crayons de Watteau (M. LVI)”, c. 1895
Drypoint printed in black and sanguine
11 ¾" x 15 ¾"
Margins slightly trimmed
Signed in pencil in margin
“Madame Helleu devant les Watteau du Louvre" or "Les Trois crayons de Watteau (M. LVI)”, c. 1895
Drypoint printed in black and sanguine
11 ¾" x 15 ¾"
Margins slightly trimmed
Signed in pencil in margin
Huard, Charles
(1874 - 1965)
French
“Pêcheurs à la ligne”, 1898
Color lithograph
Published in "L'Estampe moderne", Vol. 2
8 ½" x 12 ½"
Blind stamped "L'Estampe moderne" in margin
Initialed in stone
“Pêcheurs à la ligne”, 1898
Color lithograph
Published in "L'Estampe moderne", Vol. 2
8 ½" x 12 ½"
Blind stamped "L'Estampe moderne" in margin
Initialed in stone